• “Essay on Stochasticity” (April 2023) (Forthcoming)
  • Where Else: an International Hong Kong Poetry Anthology
  • Verve Poetry Press

• “The Loft” (February 2023)
  • A Personal History of Home: an Anthology
  • TORCH: The Oxford Research Centre of Humanities
  • University of Oxford

• “Soon”, “Boar.jpg”, “Leaving Tai O” (February 2023)
  • Making Space: a Collection of Writing & Art
  • Cart Noodles Press, The Chinese University of Hong Kong

• “In Defense of Impatience” & “A Night of Evolution” (December 2022)
  • Tupelo Quarterly (TQ28)

• “Aubade” (October 2022)
  • Guernica

• “After the Cold the Cold”, “Arrows”, “For a Moment, In This Light” & “Train” (2022)
  • Voice & Verse 21/21 Anthology

• “Another Moon” & “Bruised Jasmines” (Fall/Winter 2020)
  • Epiphany Magazine

• “Ardent Before We Go” (December 2020)
  • Writing-Plus – the Urban Love Poem Initiative
  • The Education University of Hong Kong

• “After the Cold the Cold” (November 2020)
  • Wildness (Issue 24)

• “Sentinel” (June, 2020)
  • The Scores (Issue 8)
  • University of St Andrews

• “John Who Wears Black” & “Midsummer” (June, 2020)
  • Cordite Poetry Review (e-chapbook – Hong Kong Now)

• “Oh in You the Animal” (June 2020)
  • Third Coast (Issue 48)
  • The Western Michigan University

• “When They Want Something” (July, 2019)
  • Voice & Verse (Issue 48)

• “One Sip, Then” (November, 2018)
  • Meniscus (Volume 6 Issue 2)
  • The Australasian Association of Writing Programs

• “Castle” (October, 2018)
  • The Arkansas International (Issue 5)
  • The University of Arkansas

• “An Experiment” (December, 2017)
  • Cha: an Asian Literary Journal (Issue 38)

• “Self Portrait with Dead Uncle” (November, 2017)
  • Twin Cities: An Anthology of Twin Cinema from Singapore and Hong Kong

• “Arguments Against Us” & “Ebb Tide” (October, 2017)
  • Diode Poetry Journal (Volume 10 Number 3)

• “Halfway” (October, 2017)
  • Bodega (Issue 62)

• “Flashes” (September 2017)
  • The Pinch (Issue 37.2)
  • The University of Memphis

• “Rain as”, “Days of November, 2014” & “What Word” (June, 2017)
  • Hong Kong 20/20: Reflections on a borrowed place
  • PEN Hong Kong / Blacksmith Books

• “Offerings” & “Bold Stare” (May, 2017)
  • The Adroit Journal (Issue 21)

• “A Picnic” (October, 2016)
  • Louisville Review (Volume 80)

• “Looking” (May, 2016)
  • Souvenir (Spring 2016)

• “Insomnia” & “Speaking of Guilt” (May, 2016)
  • Breakwater Review (Issue 15)
  • The University of Massachusetts – Boston

• “Two Leaves” (April, 2016)
  • Wildness (Issue 3)

• “Where I Hide” (April, 2016)
  • Whiskey Island (Issue 67)
  • Cleveland State University

• “Stealth” (April, 2016)
  • Lontar (Issue 6)

• “Cavafy’s Boy” (February, 2016)
  • Sixth Finch (Winter 2016)

• “Aubade” & “Walking Alone in Nara” (May, 2015)
  • The Margins
  • Asian American Writers’ Workshop

• “Checkpoint” (November, 2014)
  • Cha: an Asian Literary Journal (Issue 25 – Whither Hong Kong?)

• “Book Crime” & “The Way Back” (September, 2014)
  • Cha: an Asian Literary Journal (Issue 25)

• “If I Were the Sunset” (Spring, 2014)
  • Folio (Volume 29 Issue 1)
  • American University, Washington, D.C.

• “Find Me in the Water” (January, 2014)
  • Foothill: a Journal of Poetry (Volume 3 No. 2)
  • Claremont Graduate University

• “Revision” (November, 2013)
  • Black Heart Magazine

• “Umbrellaless on a Typhoon Night” (August, 2013)
  • Prairie Schooner (Fusion Issue 6)
  • The University of Nebraska-Lincoln

• “Garden” (Spring, 2012)
  • Yuan Yang: a Journal of Hong Kong and International Writing (Volume 11 No. 1)
  • The University of Hong Kong

• “Remembrance” (September, 2010)
  • Cha: an Asian Literary Journal (Issue 12)

• “Two Decks of Love” (May, 2008)
  • Yuan Yang: a Journal of Hong Kong and International Writing (Volume 8 No. 1)
  • The University of Hong Kong

• “Market Guy” (November, 2007)
  • Cha: an Asian Literary Journal (Issue 1)